![]() Scherbaum is also the proof of that - can only specialize in this The piccolo to the big trumpet, and vice-versa - all the time without The soloist, the real professional players, cannot go from Trumpet is not a big trumpet that would play high notes. Such perfection seems to be unique in all music history.untilĪll along his career, this is due to technical reasons. Instrument. Even today, nobody plays the piccolo trumpet as This idea of giving a new repertoire to a new Of Maurice Andr é that the piccolo trumpet enteredĮnergy, his curiosity, he has raised this little, unknown instrument to Great arranger Jean Thilde (Billaudot), who worked for years on all With the piccolo trumpet, everything was possible. Works were known but nobody could technically play them. Repertoire from transcriptions and forgotten baroque works, for many Incredible pioneer with his new and unique That made piccolo trumpet music into a completely new It is therefore Maurice André that endorsed thisĬompletely new repertoire and followed Scherbaum to develop piccoloĪ secret of the Master : searching for the quality of the attacks while working on intervals. Munich competition, Scherbaum was 54 years old. He recorded alsoīut Adolf Scherbaum was born in 1909. Performed it over 400 times and recorded it 14 times). Was famous for his interpretation of the 2nd Brandenburg concerto (he The phony tube of this instrument, only for aesthetic) High register) that nobody could play at this time with the big trumpet. ![]() He has been able to play forgotten baroque pieces (written in the Through a real new instrument : his little Bb piccolo trumpet. The great contribution of Scherbaum was to re-discover the baroque The solo trumpet repertoire was very small. Period left us the Haydn and Hummel concerti, real masterpieces.īeethoven, Schubert or Schumann did not write any trumpet concerti, orįor the solo trumpet. ![]() When he was studying the big trumpet with Sabarich at the Paris' Music pieces to be played for the young Maurice Andr é Let's now have a closer, more historicalīegan my career, people hardly knew Telemann or Vivaldi." Maurice Andr éĬoncerti, a few baroque works and the orchestral parts of Bach, there He's the realįather of the piccolo trumpet. Is clear that the piccolo takes the first place. "invention" - the piccolo trumpet - that Maurice played onīaroque repertoire. After the Munich's competition (1963) MauriceĪndré recorded many albums with the greatest germanīach-Choir conducted by the great Karl Richter. Maurice André has been, above all, the master of Played this instrument much more than the standard trumpets. To come in the morning, he would play a few notes and we were allĪdolf Scherbaum had been an idol for the young Maurice, it is our greatįrench trumpet player that developed the piccolo trumpet repertoire. Maurice André very much liked to work at home Quality of its sound and also the ergonomic of the instrument. In all the process of making this new trumpet. Michel Wykrykacz, Selmer's prototypes department director To Selmer Company by his teacher Raymond Sabarich and started working Years, many technical improvements have been made (the 4th valve wasĪdded in 1967) in close collaboration with Maurice Valves only) for which nobody knew any repertoire. In 1959 that Selmer made this strange instrument (originally with 3 Maurice played the piccolo for more than a quarter of a century. New trumpet, based on a german model (according to Maurice's own The Master himself who worked with Selmer to develop a It would be impossible to speak about master MauriceĪndré and not to make a special part devoted to the piccolo Piccolo trumpet as "the success of his life". Maurice ANDRE, the father of the piccolo trumpet
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